Skip to main content

Is regional TV thriving at the cost of national channels ?



Regional channels are thriving both in terms of viewership and innovative programming. But is the rise of regional at the cost of national channels? Are brands getting better ROI on regional?
Regional channels, a category that till very recently played second fiddle to its national counterpart, is now at the centre stage of big advertisers’ media plans. On the back of high-quality content, regional channels (across genres) are not only getting viewership equivalent to national channels but also ad rates.
It’s being witnessed that Ad spends are increasing on both national and regional channels, but the increase in regional is much more.
In the case of national channels, the youth has almost shifted to digital and other modes of entertainment. But regional language content is still not so prevalent on online or other mediums. People still go back to TV sets for local news, shows or movies. In a country like India where 68% people still live in villages, regional language channels make a lot of sense.
The targeted outreach programme of marketers in the rural belts, especially in south and east, is giving a push to regional channels.
Increasingly, marketers are becoming hyper local. This hyper local nature allows you to experiment at a relatively lower cost. All the guerrilla marketers go for regional channels, as they would not have the appetite to spend on national channels. So, they start with regional markets and keep expanding.
For region-specific products, regional channels make more sense. It is becoming difficult for any FMCG company to launch a regional product on a national level.
Both national and regional channels play a typical role in the media plan. One can use both either independently or in combination, depending on what are your objectives in media.
Regional channels form an important part of our TV plans, especially when brands want to reach rural and small urban customer base. In states like Gujarat, Maharashtra, Karnataka, Tamilnadu, Telangana, Andhra Pradesh, Orissa or WB, the reach through national channels alone becomes inefficient beyond a point. There is anecdotal feedback that communication connects better through regional channels but we have not seen data-based evidence of it. Therefore, for brands the choice is led from a media planning standpoint and not as much from communication effectiveness.
Regional channels, however, have always been under-indexed. The viewership of regional language channels is much higher than national channels in a specific market. However, the pricing of ad slots isn’t the same.
In certain markets, regional channels are not at all under-indexed. The southern channels are quite expensive and are getting ad rates comparable to their viewership and to the national channels.
Industry experts believes that the economics on which the costs are decided varied are not only viewership – Since regional channels are catering to a specific market, how important that market is, the demand-supply in that market and whether there are enough and more local players in that market who have a local demand for inventory. South (Tamil Nadu) is the most expensive regional market followed by Maharashtra and West Bengal. The rates also depend on the amount of money spent on content. Some of the mature markets have high quality original content – reality shows and fiction both. Better content means more viewers and hence, advertisers are ready to pay more.
As we all know that South is an isolated market and no other language works there. The cost theory is majorly applicable for North, East and West markets where the national channels were still a huge phenomenon.
According to Industry Experts, uniqueness is an important factor for ad rates. The rates are a function of uniqueness and demand-supply. In the regional space, new channels are constantly coming up, shooting the supply up and that is exceeding the demand. Let’s Consider this – Why is the rate for Hindi GECs steadily growing? Because you still have only 4-5 successful Hindi GECs. Even if there are 13 channels, none of them are able to create that uniqueness. Look at IPL, KBC, Bigg Boss, they are short in supply and their uniqueness is unmatched.

Shifting of budgets from national to regional

There is no clear conclusion however some brand owners believe that except for the metros, almost all markets can be reached through the regional channels. While Hindi GECs are still a prime aspect of media plans, the regional language channels are winning it in all other genres, especially news. Regional news channels give much more effectiveness than the Hindi/ English news channels. Today news channels are available in almost all languages, which increases the reach and most of audiences wants to consume news in their own language.
However, in certain segments like sports and infotainment, the national channels are the most effective.  
The growth in terms of the ad volumes is very low in the case of national channels. Currently, the national channels are growing at far lower rate in terms of volumes of advertising, compared to the regional channels. The fastest growing genre is the Hindi movie channels, but even this growth is tapering now. In case of regional channels, all genres – news, GECs, movies, music – are growing at a healthy double-digit number, while the corresponding national genres are at lower single digit growth on advertising volumes. Hence, depending on the objective of the advertiser, the monies might be shifting slightly from the national to the regional channels for some of the advertisers. Brands are getting good results from regional channels, partly because they are cheaper from ROI perspective.


Comments

Popular posts from this blog

What is TRP & GRP in Television Advertising ...

Television holds the title of the largest mass medium for advertising for more than 60 years now and that designation has not been overtaken even after the entry and growth of internet medium. It is an imperative and consequential component of media planning because of its pervasiveness, impact, mass reach and targeting abilities. Albeit the world has come a long way in going digital, Television advertising still plays a paramount role when it comes to marketing products and services. Television has the properties of sight, sound, and motion that traditionally set it apart from other media such as radio or print. With its three-pronged assault on its viewers’ senses, TV is able to create broad awareness for a product or services.  So before we move ahead, let’s address a common and recent misconception that internet is replacing TV viewing. The entry of Netflix, Amazon, ALT Balaji, Viu, youtube etc. it has become a hot topic to anticipate the inevitable decay and demise of televi

How Blockchain can change India’s entertainment industry

Digital technologies have played a big role in transforming the way content is produced and distributed in the entertainment industry over the past few years. Despite the many advancements, some challenges remain. The issues of revenue leakages, rights/ license management across locations, censorship and monopolistic distribution practices still exist and, in some cases, have grown. For instance, the Indian film industry, the world’s largest by a number of films produced, loses close to Rs 18,000 crore in piracy and less than half of the movies produced get a chance to reach the audience. The existing technology and infrastructure have robbed the music industry as well to the extent of about INR 6500 crore in revenue every year. In 2017, pirated music was downloaded nine billion times. The few of major hurdles that the Indian entertainment industry currently facing is the 1) Issue of funding and 2) The current distribution model. Many independent artists, actor

Basic Formulas : Digital / Internet Advertising

Mathematics is everywhere. Let it be a school life or our professional life. So, let’s try to understand the application of mathematics in internet world. What is CPM? The term CPM stands for Cost Per Mile which means cost per 1000. Its one of the most popular and used term in internet advertising space. This is the cost which advertiser pay to agency or publisher for publishing/serving 1000 impressions. Let’s take an example to understand it better. Example: Let’s assume that “Cadbury” wanted to run banner ad at CPM of INR 350 and wanted to serve 350000 impressions during the month time. What will be the total cost of client for this campaign? Total Cost to Cadbury = CPM X (Impressions)/1.000) So, Cost to advertiser will be = 350 X (3,50,000/1,000) Total cost to advertiser will be = INR 1,22,500 Let’s have a quiz here…what will you find out CPM if impression and cost is given: CPM = Cost to advertiser X 1000/Impressio